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Do youthink I canstayto becomenothingto you?Do youthink I amanautomaton?- a
machinewithoutfeelings?andcanbearto havemy morselof breadsnatchedform my lips,and
my dropof livingwaterdashedfrommycup?Doyouthink,becauseI arnpoor,obscure, plain,
andlittle,I amsoullessandheartless?Youthinkwrong!- I haveasmuchsoulasyou- andfull
asmuchheart!And if Godhadgiftedmewith somebeauQandmuchwealth,I shouldhavemade
it ashardtbr you to leaveme,asit is norryfor meto leaveyou. I amnot talking to you now
throughthe mediumof custom,conventionalities,nor evenof mortalflesh:it is my spirit that
addressyour spirit;just asif both hadpassedthroughthe grave,andwe stoodat God'sfeet,
equal-as weare!
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The beginnings of the realist narrative style can be attributed to Frenoh novelist and
playwright Honord de Batzac. His portraits of ordinary French life were remarkable in their
careful attention to details. Balzac reportedly consulted with associatesin order to leam more
about specific subjects,so as to portray them in their fullness. He expressedthe idea that
characters come to life through the painstaking accumulation of environmental details' His
methodologywas a departurefrom the Rontantichadition which was neaxits zenith when he was
crafting his stories. Balznc also put enofinous emphasison the settings of his stories' Whether
urban or provincial, the locale almost becomesa characterof its own. His most famous work,
which wasleft unfinished, was TheHwnan Comedy,an assorftnentof interwoven talesandnovels
which depict life in early nineteenth century Franc.e.The effect of the narrative buildup tn The
Hwnan Cornedyis the realization of anepic that is morethanthe sumof its parts.Like the realists
who would follow in his footsteps,Balzac did not rely on profound or speotaculareventsto move
his stories along. Instead, he paid attention to the small things, the nuancesthat made up ttrc
experienceoftypical Frenchlife.
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